{"id":903,"date":"2024-10-12T23:27:14","date_gmt":"2024-10-12T23:27:14","guid":{"rendered":"https:\/\/dancefitwebsites.com\/nishmusic\/?page_id=903"},"modified":"2024-10-13T15:24:57","modified_gmt":"2024-10-13T15:24:57","slug":"arrangements","status":"publish","type":"page","link":"https:\/\/dancefitwebsites.com\/nishmusic\/arrangements\/","title":{"rendered":"Arrangements"},"content":{"rendered":"

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\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t
\n\t\t\t\t\t
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All<\/div>\n \n <\/div>\n
<\/div>\n <\/div>\n \n
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Best Sellers & Award Winners<\/div>\n \n <\/div>\n
<\/div>\n <\/div>\n \n
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Church Music<\/div>\n \n <\/div>\n
<\/div>\n <\/div>\n \n
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Ensembles<\/div>\n \n <\/div>\n
<\/div>\n <\/div>\n \n
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Flute and Larger Ensembles<\/div>\n \n <\/div>\n
<\/div>\n <\/div>\n \n
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Flute Choir<\/div>\n \n <\/div>\n
<\/div>\n <\/div>\n \n
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Holiday<\/div>\n \n <\/div>\n
<\/div>\n <\/div>\n \n
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Solo Flute<\/div>\n \n <\/div>\n
<\/div>\n <\/div>\n \n <\/div>\n \n \n \n \n
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<\/div>
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\n \n
\n \"The\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Nutcracker (In 5 Minutes) for Flute Choir\n <\/h4>\n
\n Using themes from the entire ballet rather than just the Suite, I was hoping to give this work a fresher sound. You know you've heard some of the tunes, but maybe you didn't realize it was from \"The Nutcracker.\"\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Wordless\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Wordless Songs\n <\/h4>\n
\n An original full-length work for flute choir, the concept is a riff on Mendelssohn\u2019s \u201cSongs without Words,\u201d Each movement has a \u201cwordless\u201d theme: No Talking in the Morning, Unspoken Affection, Shut-Up and Dance.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"White\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n White Christmas\n <\/h4>\n
\n From a stormy, chromatic beginning, this arrangement settles into a luscious legato setting of the famous chorus. Then another brief breath of storm, followed by a bouncy, jazzy section that's about as \"big band\" as a flute choir can get.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Transverses\"\n\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Transverses\n <\/h4>\n
\n Winner of the 2015 National Flute Association Flute Choir Composition Competition, this original work features light-hearted poetry to introduce topics that flute players will recognize: from alluring embouchures to sticky pads.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Three\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Three Slavonic Dances\n <\/h4>\n
\n Three movements from Dvorak\u2019s popular Slavonic Dances are represented here. While it\u2019s not exactly true that all the boring parts have been given to the piano, the keyboard does provide solid support for the flute acrobatics.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Three\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Three “Nutcracker Suite” Dances\n <\/h4>\n
\n Transcriptions of the \u201cDanse des Mirlitons,\u201d \u201cMarche\u201d and \u201cTrepak,\u201d perfect for holiday programming.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"The\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Sleigh Ride\n <\/h4>\n
\n It\u2019s a \u201cSleigh Ride\u201d but not the Leroy Anderson one. It\u2019s also by Mozart, but not by Wolfgang Amadeus. It is a charming piece by Mozart\u2019s father, Leopold, composed in 1755 as part of his Divertimento in F for orchestra.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"The\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Piano Recital\n <\/h4>\n
\n A jaunt through the classic piano repertoire, with many familiar tunes such as \u201cRondo Alla Turca,\u201d \u201cClaire de Lune,\u201d and even \u201cChopsticks\u201d! Meant to evoke that long-ago nervous thrill of playing a piano recital in a roomful of strangers, this is sure to bring back some memories.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Sweet\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Sweet (and Sour) Adeline\n <\/h4>\n
\n What could be more appropriate for an ensemble of low flutes than a barbershop quartet? Follow the antics of Sweet Adeline and her nemesis Jeanie (of the Light Brown Hair) as they tussle for dominance. It's all pretty funny.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Suite\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Suite In A Minor\n <\/h4>\n
\n This is a new edition, re-engraved and edited by me. In some sections where the flute is typically tacet (Les Plasirs, Minute I and Passepied I), there are Violin I cues written In the solo flute part in case the flute wants to play along. Also added: a new Continuo part by Victoria Jicha.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Soaring\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Soaring Spirits 2\n <\/h4>\n
\n A second volume of homages to our great spiritual tradition. Flutists with intermediate to advanced skills should be comfortable playing these pieces with a minimum amount of rehearsal.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Soaring\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Soaring Spirits\n <\/h4>\n
\n These twenty short flute duets are based on beloved spirituals and hymns. Ranging in mood from slow and lyrical to upbeat and lively, these pieces will fit easily into any church service or musical program. The parts are of equal difficulty (intermediate-advanced).\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Semi-ramide\"\n\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n “Semi”-ramide\n <\/h4>\n
\n A shortened version of the Overture to the opera \u201cSemiramide\u201d keeps all the good stuff but cuts the time in half, hence the title \u201cSemi\u201d-ramide!\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Sacred\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Sacred Flutist\n <\/h4>\n
\n This is the companion volume to \"The Christmas Flutist,\" featuring 24 sacred pieces appropriate for the rest of the church year.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Russian\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Russian Medley\n <\/h4>\n
\n The best themes from your classical Russian favorites, all together in one piece! It ends with a whirlwind \u201cFlight of the Bumblebee\u201d combined with \u201cNight on Bald Mountain.\u201d A real crowd pleaser and very demanding for all performers.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Roll\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Roll Call!\n <\/h4>\n
\n An arrangement of the sprightly hymn tune \u201cWhen the Roll Is Called Up Yonder.\u201d Appropriate for church or general use and features a variety of variations, including a jig and some blues, with some of Handel\u2019s \u201cMessiah\u201d mixed in.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Quick\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Quick Study Quartets\n <\/h4>\n
\n This collection of intermediate quartets is perfect for students or busy pros who want something nice to perform but don\u2019t have a lot of time to practice.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Prelude\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Prelude from “The Well-Tempered Clavier” Book 1\n <\/h4>\n
\n A piece that's well-adapted for flutes and is very moving and beautiful.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Pictures\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Pictures At An Exhibition (The 5 Minute Tour)\n <\/h4>\n
\n Once you\u2019ve heard this piece you\u2019ll swear you\u2019ve heard the entire \u201cPictures at an Exhibition.\u201d Why the rush? Because the tunes are really wonderful and everything fit together with unexpected results.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Pat-a-Carol\"\n\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Pat-a-Carol\n <\/h4>\n
\n This makes a great overture to get holiday concerts off to a flying start. It not only combines \u201cPat-a-Pan\u201d with \u201cCarol of the Bells,\u201d but also throws in liberal doses of Smetana\u2019s \u201cThe Moldau,\u201d and sly quotes from Mendelssohn\u2019s \u201cA Midsummer Night\u2019s Dream.\u201d The overall effect is rather like \u201cDanse Macabe.\u201d And all in less than two-and-a-half minutes!\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Nutcracker\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Nutcracker (In 5 Minutes) for Flute and Piano\n <\/h4>\n
\n Using themes from the entire ballet rather than just the Suite, I was hoping to give this work a fresher sound. You know you\u2019ve heard some of the tunes, but maybe you didn\u2019t realize it was from \u201cThe Nutcracker.\u201d\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Minute\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Minute Waltz (In 5 Minutes)\n <\/h4>\n
\n A waltz medley based on Chopin\u2019s \u201cMinute Waltz\u201d is chock full of familiar Strauss, Tchaikovsky, and even Scott Joplin tunes, plus sneaky references that will make knowing audiences smile with recognition.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Magic\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Magic Flute (In 5 Minutes) for Flute Choir\n <\/h4>\n
\n After writing the Flute and Piano version of this piece, it occurred to me that it would make a nice flute choir showcase. The contrapuntal nature of the original suits an ensemble very well and it\u2019s a ton of fun to play!\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Magic\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Magic Flute (In 5 Minutes) for Flute and Piano\n <\/h4>\n
\n Written for my own concert use long ago, I didn't want this to be just a medley of hit tunes, but stand on its own as an organic whole. The concept has proven to be quite popular and has started the long-running \"5-Minute\" series.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Magic\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Magic Flute (In 5 Minutes)\n <\/h4>\n
\n Originally arranged for Flute Solo, then Flute Choir, this highly accessible piece is now available as a flute solo with concert band. Feature your first chair flute player with this delightful romp through the most popular themes of this famous Mozart opera.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Lyrical\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Lyrical Flutist\n <\/h4>\n
\n Short solos arranged for flute alone based on melodies drawn from many different genres: opera, folk music, piano pieces, and much more. Whenever you need a nice tune for any occasion, this is the book for you!\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Jolly\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Jolly On A House Top\n <\/h4>\n
\n Here's some fun for the heavy metal element in your flute choir. The perfect vehicle for spotlighting the low flutes while providing a little tonal variety to your holiday concerts. Two popular Christmas songs are combined in a piece that runs the gamut from quick hoedown to lyrical ballad to laid-back jazz.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"I\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n I Wonder As I Wander\n <\/h4>\n
\n The moody melody is accompanied by active, beautiful and bubbling 16th notes. A variation takes the song into a lighter mood that\u2019s Celtic and lilting.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Intro\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Introduction And Rondo Capriccioso\n <\/h4>\n
\n This is a transcription of the brilliant and famous violin solo. The flute part is challenging and the wind ensemble has been kept as light as possible to maintain balance with the soloist.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"In\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n In My Life\n <\/h4>\n
\n This lovely Beatles ballad, arranged for flute and piano, is appropriate for memorial services, concerts, or even weddings. \n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Handels\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Handel’s Messiah (In 5 Minutes)\n <\/h4>\n
\n Highlights from Handel's beloved oratorio include: \"Glory to God in the Highest,\" \"For Unto Us a Child Is Born,\" \"Amen,\" \"He Shall Purify,\" \"He Shall Feed His Flock,\" and, of course, the rousing \"Hallelujah Chorus.\" Perfect for those who want a taste of the work without having to eat the whole meal.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Hallelujah\"\n\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Hallelujah\n <\/h4>\n
\n Although melodically and harmonically simple, this tune is compelling and lends itself to such beautiful interpretations. Perfect for church or secular use.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Gloria\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Gloria Fantasie\n <\/h4>\n
\n A freely adapted rendition of \u201cAngels We Have Heard on High.\u201d Appropriate for high school level players and up.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Fugue\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Fugue \u00e0 la Gigue\n <\/h4>\n
\n Originally composed for organ, the contrapuntal nature of Bach fugues lends itself admirably to an ensemble arrangement. This one, with its lively dance rhythms, really appealed to me. Precision is the key here and the only way to accomplish that is to tread lightly.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Four\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Four Seasons (In 5 Minutes)\n <\/h4>\n
\n Inspired by the crazy changeable weather of my native Chicago, I\u2019ve taken Vivaldi\u2019s programmatic concertos and mashed them into a climate-changing maelstrom that combines a year\u2019s worth of snow, heat, storms and harvest jollity all into five minutes.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Flights\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Flights Of Passage\n <\/h4>\n
\n There are certain \u201crites of passage\u201d that we all have to go through to reach maturity. Four of them are represented by movements of this work: 1) First, Birth, 2) First Steps, 3) First Love, and 4) First Flight (from the Nest).\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Fantasie\"\n\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Fantasie\n <\/h4>\n
\n I re-engraved and edited this arrangement by Robert K. Webb. It\u2019s a great opportunity for a high school, college or community band to spotlight a soloist performing one of the most popular pieces in the flute repertoire.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Dolly\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Dolly Suite\n <\/h4>\n
\n These are charming piano duets written by Faure for the daughter of his longtime mistress, Emma Bardac. The little girl, Helene, was so diminutive that she was nicknamed \u201cDolly.\u201d Here the flutes are amply supported by the piano which lets the flutists interact with other, free of harmonic or accompaniment concerns.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Ding\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Ding Dong Deck\n <\/h4>\n
\n This is a great show opener or overture that combines \u201cDing Dong! Merrily on High\u201d and \u201cDeck the Halls.\u201d It makes ample use of major thirds to give the impression of a whole lot of doorbells. It\u2019s bubbly, fast, and engaging.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Dance\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Dance Suite\n <\/h4>\n
\n This original work for 3 C Flutes has a twirly Waltz, a humble Rumba, a stately but cool Minuet and a snappy Tap Dance. Great for students of for flutists who want something new and fun to play.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Concerto\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Concerto In G Major\n <\/h4>\n
\n A new edition of one of the flute repertoire\u2019s most beloved double flute concertos. The score and parts have been recreated from the original manuscript and also includes cadenzas written by me.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Christmas\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Christmas Night (and Day)\n <\/h4>\n
\n The \u201cNight\u201d and \u201cDay\u201d come from the combination of \u201cO Holy Night\u201d and \u201cI Heard the Bells on Christmas Day.\u201d It\u2019s heartfelt where it should be and downright jolly in the middle.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Christmas\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Christmas Jubilation\n <\/h4>\n
\n My first book for flute and piano contains arrangements that are fun, joyous, jubilant, and yes, sparkling. Something different for your holiday concerts!\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Christmas\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Christmas Joy\n <\/h4>\n
\n This collection of 20 duets for 2 C Flutes will come in handy during the holiday season. Perfect for church services, school concerts, or just for students and teachers to play at lessons. Each flute shares the melody.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Christmas\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Christmas Flutist\n <\/h4>\n
\n Have you ever been asked to play your flute at a Christmas party but couldn't because your accompanist wasn't invited? Then this collection of 20 solos for flute alone was written just for you! Also appropriate for use at church services, of course, or for student lessons in December to get into the holiday mood.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Christmas\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Christmas Banquet\n <\/h4>\n
\n A Renaissance mix of Yuletide music and secular dances such as \u201cGreensleeves,\u201d \u201cThe Boar\u2019s Head Carol,\u201d \u201cUne jeune fillette,\u201d \u201cPsalite\u201d and others.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Bridge\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Bridge Over Troubled Water\n <\/h4>\n
\n In my opinion, one of the best songs ever written. I\u2019ve given it a gospel feeling which adds nicely to the deep emotion of the melody.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Beethovens\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Beethovens 9th Symphony (In 5 Minutes)\n <\/h4>\n
\n This \u201c5 Minute Masterpiece\u201d condenses Beethoven\u2019s monumental 9th symphony down from 75 minutes to 5. It covers all the good parts without making the piccolo player wait around 45 minutes before playing!\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Arrival\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Arrival Of The Queen Of Sheba\n <\/h4>\n
\n This is the Sinfonia from Act III of \u201cSolomon\u201d and a great concert opener!\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"21st\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n 21st Century Masterworks\n <\/h4>\n
\n I wrote a solo especially for this collection of original pieces by women composers. It's called \"Mood Swings\" and is in fine company: Jennifer Higdon, Sarah Bassingthwaighte and Gay Kahkonen to name a few.\n <\/div>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n \n <\/div>\n \n
\n
<\/div>
<\/div>
\n \n
\n \"The\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Nutcracker (In 5 Minutes) for Flute Choir\n <\/h4>\n
\n Using themes from the entire ballet rather than just the Suite, I was hoping to give this work a fresher sound. You know you've heard some of the tunes, but maybe you didn't realize it was from \"The Nutcracker.\"\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Transverses\"\n\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Transverses\n <\/h4>\n
\n Winner of the 2015 National Flute Association Flute Choir Composition Competition, this original work features light-hearted poetry to introduce topics that flute players will recognize: from alluring embouchures to sticky pads.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Three\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Three Slavonic Dances\n <\/h4>\n
\n Three movements from Dvorak\u2019s popular Slavonic Dances are represented here. While it\u2019s not exactly true that all the boring parts have been given to the piano, the keyboard does provide solid support for the flute acrobatics.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Three\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Three “Nutcracker Suite” Dances\n <\/h4>\n
\n Transcriptions of the \u201cDanse des Mirlitons,\u201d \u201cMarche\u201d and \u201cTrepak,\u201d perfect for holiday programming.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"The\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Piano Recital\n <\/h4>\n
\n A jaunt through the classic piano repertoire, with many familiar tunes such as \u201cRondo Alla Turca,\u201d \u201cClaire de Lune,\u201d and even \u201cChopsticks\u201d! Meant to evoke that long-ago nervous thrill of playing a piano recital in a roomful of strangers, this is sure to bring back some memories.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Sacred\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Sacred Flutist\n <\/h4>\n
\n This is the companion volume to \"The Christmas Flutist,\" featuring 24 sacred pieces appropriate for the rest of the church year.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Russian\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Russian Medley\n <\/h4>\n
\n The best themes from your classical Russian favorites, all together in one piece! It ends with a whirlwind \u201cFlight of the Bumblebee\u201d combined with \u201cNight on Bald Mountain.\u201d A real crowd pleaser and very demanding for all performers.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Roll\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Roll Call!\n <\/h4>\n
\n An arrangement of the sprightly hymn tune \u201cWhen the Roll Is Called Up Yonder.\u201d Appropriate for church or general use and features a variety of variations, including a jig and some blues, with some of Handel\u2019s \u201cMessiah\u201d mixed in.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Quick\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Quick Study Quartets\n <\/h4>\n
\n This collection of intermediate quartets is perfect for students or busy pros who want something nice to perform but don\u2019t have a lot of time to practice.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Pictures\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Pictures At An Exhibition (The 5 Minute Tour)\n <\/h4>\n
\n Once you\u2019ve heard this piece you\u2019ll swear you\u2019ve heard the entire \u201cPictures at an Exhibition.\u201d Why the rush? Because the tunes are really wonderful and everything fit together with unexpected results.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Pat-a-Carol\"\n\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Pat-a-Carol\n <\/h4>\n
\n This makes a great overture to get holiday concerts off to a flying start. It not only combines \u201cPat-a-Pan\u201d with \u201cCarol of the Bells,\u201d but also throws in liberal doses of Smetana\u2019s \u201cThe Moldau,\u201d and sly quotes from Mendelssohn\u2019s \u201cA Midsummer Night\u2019s Dream.\u201d The overall effect is rather like \u201cDanse Macabe.\u201d And all in less than two-and-a-half minutes!\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Magic\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Magic Flute (In 5 Minutes) for Flute Choir\n <\/h4>\n
\n After writing the Flute and Piano version of this piece, it occurred to me that it would make a nice flute choir showcase. The contrapuntal nature of the original suits an ensemble very well and it\u2019s a ton of fun to play!\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Hallelujah\"\n\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Hallelujah\n <\/h4>\n
\n Although melodically and harmonically simple, this tune is compelling and lends itself to such beautiful interpretations. Perfect for church or secular use.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Flights\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Flights Of Passage\n <\/h4>\n
\n There are certain \u201crites of passage\u201d that we all have to go through to reach maturity. Four of them are represented by movements of this work: 1) First, Birth, 2) First Steps, 3) First Love, and 4) First Flight (from the Nest).\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Dance\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Dance Suite\n <\/h4>\n
\n This original work for 3 C Flutes has a twirly Waltz, a humble Rumba, a stately but cool Minuet and a snappy Tap Dance. Great for students of for flutists who want something new and fun to play.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Christmas\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Christmas Night (and Day)\n <\/h4>\n
\n The \u201cNight\u201d and \u201cDay\u201d come from the combination of \u201cO Holy Night\u201d and \u201cI Heard the Bells on Christmas Day.\u201d It\u2019s heartfelt where it should be and downright jolly in the middle.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Christmas\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Christmas Jubilation\n <\/h4>\n
\n My first book for flute and piano contains arrangements that are fun, joyous, jubilant, and yes, sparkling. Something different for your holiday concerts!\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Christmas\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Christmas Joy\n <\/h4>\n
\n This collection of 20 duets for 2 C Flutes will come in handy during the holiday season. Perfect for church services, school concerts, or just for students and teachers to play at lessons. Each flute shares the melody.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Christmas\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Christmas Flutist\n <\/h4>\n
\n Have you ever been asked to play your flute at a Christmas party but couldn't because your accompanist wasn't invited? Then this collection of 20 solos for flute alone was written just for you! Also appropriate for use at church services, of course, or for student lessons in December to get into the holiday mood.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Bridge\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Bridge Over Troubled Water\n <\/h4>\n
\n In my opinion, one of the best songs ever written. I\u2019ve given it a gospel feeling which adds nicely to the deep emotion of the melody.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Arrival\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Arrival Of The Queen Of Sheba\n <\/h4>\n
\n This is the Sinfonia from Act III of \u201cSolomon\u201d and a great concert opener!\n <\/div>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n \n <\/div>\n \n
\n
<\/div>
<\/div>
\n \n
\n \"Soaring\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Soaring Spirits 2\n <\/h4>\n
\n A second volume of homages to our great spiritual tradition. Flutists with intermediate to advanced skills should be comfortable playing these pieces with a minimum amount of rehearsal.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Soaring\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Soaring Spirits\n <\/h4>\n
\n These twenty short flute duets are based on beloved spirituals and hymns. Ranging in mood from slow and lyrical to upbeat and lively, these pieces will fit easily into any church service or musical program. The parts are of equal difficulty (intermediate-advanced).\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Sacred\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Sacred Flutist\n <\/h4>\n
\n This is the companion volume to \"The Christmas Flutist,\" featuring 24 sacred pieces appropriate for the rest of the church year.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Roll\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Roll Call!\n <\/h4>\n
\n An arrangement of the sprightly hymn tune \u201cWhen the Roll Is Called Up Yonder.\u201d Appropriate for church or general use and features a variety of variations, including a jig and some blues, with some of Handel\u2019s \u201cMessiah\u201d mixed in.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Quick\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Quick Study Quartets\n <\/h4>\n
\n This collection of intermediate quartets is perfect for students or busy pros who want something nice to perform but don\u2019t have a lot of time to practice.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Pat-a-Carol\"\n\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Pat-a-Carol\n <\/h4>\n
\n This makes a great overture to get holiday concerts off to a flying start. It not only combines \u201cPat-a-Pan\u201d with \u201cCarol of the Bells,\u201d but also throws in liberal doses of Smetana\u2019s \u201cThe Moldau,\u201d and sly quotes from Mendelssohn\u2019s \u201cA Midsummer Night\u2019s Dream.\u201d The overall effect is rather like \u201cDanse Macabe.\u201d And all in less than two-and-a-half minutes!\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Lyrical\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Lyrical Flutist\n <\/h4>\n
\n Short solos arranged for flute alone based on melodies drawn from many different genres: opera, folk music, piano pieces, and much more. Whenever you need a nice tune for any occasion, this is the book for you!\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"In\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n In My Life\n <\/h4>\n
\n This lovely Beatles ballad, arranged for flute and piano, is appropriate for memorial services, concerts, or even weddings. \n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Hallelujah\"\n\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Hallelujah\n <\/h4>\n
\n Although melodically and harmonically simple, this tune is compelling and lends itself to such beautiful interpretations. Perfect for church or secular use.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Gloria\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Gloria Fantasie\n <\/h4>\n
\n A freely adapted rendition of \u201cAngels We Have Heard on High.\u201d Appropriate for high school level players and up.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Fugue\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Fugue \u00e0 la Gigue\n <\/h4>\n
\n Originally composed for organ, the contrapuntal nature of Bach fugues lends itself admirably to an ensemble arrangement. This one, with its lively dance rhythms, really appealed to me. Precision is the key here and the only way to accomplish that is to tread lightly.\n <\/div>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n \n <\/div>\n \n
\n
<\/div>
<\/div>
\n \n
\n \"Three\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Three Slavonic Dances\n <\/h4>\n
\n Three movements from Dvorak\u2019s popular Slavonic Dances are represented here. While it\u2019s not exactly true that all the boring parts have been given to the piano, the keyboard does provide solid support for the flute acrobatics.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Three\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Three “Nutcracker Suite” Dances\n <\/h4>\n
\n Transcriptions of the \u201cDanse des Mirlitons,\u201d \u201cMarche\u201d and \u201cTrepak,\u201d perfect for holiday programming.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Sweet\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Sweet (and Sour) Adeline\n <\/h4>\n
\n What could be more appropriate for an ensemble of low flutes than a barbershop quartet? Follow the antics of Sweet Adeline and her nemesis Jeanie (of the Light Brown Hair) as they tussle for dominance. It's all pretty funny.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Soaring\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Soaring Spirits 2\n <\/h4>\n
\n A second volume of homages to our great spiritual tradition. Flutists with intermediate to advanced skills should be comfortable playing these pieces with a minimum amount of rehearsal.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Soaring\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Soaring Spirits\n <\/h4>\n
\n These twenty short flute duets are based on beloved spirituals and hymns. Ranging in mood from slow and lyrical to upbeat and lively, these pieces will fit easily into any church service or musical program. The parts are of equal difficulty (intermediate-advanced).\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Russian\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Russian Medley\n <\/h4>\n
\n The best themes from your classical Russian favorites, all together in one piece! It ends with a whirlwind \u201cFlight of the Bumblebee\u201d combined with \u201cNight on Bald Mountain.\u201d A real crowd pleaser and very demanding for all performers.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Quick\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Quick Study Quartets\n <\/h4>\n
\n This collection of intermediate quartets is perfect for students or busy pros who want something nice to perform but don\u2019t have a lot of time to practice.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Gloria\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Gloria Fantasie\n <\/h4>\n
\n A freely adapted rendition of \u201cAngels We Have Heard on High.\u201d Appropriate for high school level players and up.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Dolly\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Dolly Suite\n <\/h4>\n
\n These are charming piano duets written by Faure for the daughter of his longtime mistress, Emma Bardac. The little girl, Helene, was so diminutive that she was nicknamed \u201cDolly.\u201d Here the flutes are amply supported by the piano which lets the flutists interact with other, free of harmonic or accompaniment concerns.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Dance\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Dance Suite\n <\/h4>\n
\n This original work for 3 C Flutes has a twirly Waltz, a humble Rumba, a stately but cool Minuet and a snappy Tap Dance. Great for students of for flutists who want something new and fun to play.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Christmas\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Christmas Night (and Day)\n <\/h4>\n
\n The \u201cNight\u201d and \u201cDay\u201d come from the combination of \u201cO Holy Night\u201d and \u201cI Heard the Bells on Christmas Day.\u201d It\u2019s heartfelt where it should be and downright jolly in the middle.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Christmas\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Christmas Joy\n <\/h4>\n
\n This collection of 20 duets for 2 C Flutes will come in handy during the holiday season. Perfect for church services, school concerts, or just for students and teachers to play at lessons. Each flute shares the melody.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Arrival\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Arrival Of The Queen Of Sheba\n <\/h4>\n
\n This is the Sinfonia from Act III of \u201cSolomon\u201d and a great concert opener!\n <\/div>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n \n <\/div>\n \n
\n
<\/div>
<\/div>
\n \n
\n \"Suite\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Suite In A Minor\n <\/h4>\n
\n This is a new edition, re-engraved and edited by me. In some sections where the flute is typically tacet (Les Plasirs, Minute I and Passepied I), there are Violin I cues written In the solo flute part in case the flute wants to play along. Also added: a new Continuo part by Victoria Jicha.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Magic\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Magic Flute (In 5 Minutes)\n <\/h4>\n
\n Originally arranged for Flute Solo, then Flute Choir, this highly accessible piece is now available as a flute solo with concert band. Feature your first chair flute player with this delightful romp through the most popular themes of this famous Mozart opera.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Intro\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Introduction And Rondo Capriccioso\n <\/h4>\n
\n This is a transcription of the brilliant and famous violin solo. The flute part is challenging and the wind ensemble has been kept as light as possible to maintain balance with the soloist.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Fantasie\"\n\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Fantasie\n <\/h4>\n
\n I re-engraved and edited this arrangement by Robert K. Webb. It\u2019s a great opportunity for a high school, college or community band to spotlight a soloist performing one of the most popular pieces in the flute repertoire.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Concerto\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Concerto In G Major\n <\/h4>\n
\n A new edition of one of the flute repertoire\u2019s most beloved double flute concertos. The score and parts have been recreated from the original manuscript and also includes cadenzas written by me.\n <\/div>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n \n <\/div>\n \n
\n
<\/div>
<\/div>
\n \n
\n \"The\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Nutcracker (In 5 Minutes) for Flute Choir\n <\/h4>\n
\n Using themes from the entire ballet rather than just the Suite, I was hoping to give this work a fresher sound. You know you've heard some of the tunes, but maybe you didn't realize it was from \"The Nutcracker.\"\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Wordless\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Wordless Songs\n <\/h4>\n
\n An original full-length work for flute choir, the concept is a riff on Mendelssohn\u2019s \u201cSongs without Words,\u201d Each movement has a \u201cwordless\u201d theme: No Talking in the Morning, Unspoken Affection, Shut-Up and Dance.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"White\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n White Christmas\n <\/h4>\n
\n From a stormy, chromatic beginning, this arrangement settles into a luscious legato setting of the famous chorus. Then another brief breath of storm, followed by a bouncy, jazzy section that's about as \"big band\" as a flute choir can get.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Transverses\"\n\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Transverses\n <\/h4>\n
\n Winner of the 2015 National Flute Association Flute Choir Composition Competition, this original work features light-hearted poetry to introduce topics that flute players will recognize: from alluring embouchures to sticky pads.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"The\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Sleigh Ride\n <\/h4>\n
\n It\u2019s a \u201cSleigh Ride\u201d but not the Leroy Anderson one. It\u2019s also by Mozart, but not by Wolfgang Amadeus. It is a charming piece by Mozart\u2019s father, Leopold, composed in 1755 as part of his Divertimento in F for orchestra.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"The\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Piano Recital\n <\/h4>\n
\n A jaunt through the classic piano repertoire, with many familiar tunes such as \u201cRondo Alla Turca,\u201d \u201cClaire de Lune,\u201d and even \u201cChopsticks\u201d! Meant to evoke that long-ago nervous thrill of playing a piano recital in a roomful of strangers, this is sure to bring back some memories.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Semi-ramide\"\n\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n “Semi”-ramide\n <\/h4>\n
\n A shortened version of the Overture to the opera \u201cSemiramide\u201d keeps all the good stuff but cuts the time in half, hence the title \u201cSemi\u201d-ramide!\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Roll\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Roll Call!\n <\/h4>\n
\n An arrangement of the sprightly hymn tune \u201cWhen the Roll Is Called Up Yonder.\u201d Appropriate for church or general use and features a variety of variations, including a jig and some blues, with some of Handel\u2019s \u201cMessiah\u201d mixed in.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Prelude\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Prelude from “The Well-Tempered Clavier” Book 1\n <\/h4>\n
\n A piece that's well-adapted for flutes and is very moving and beautiful.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Pictures\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Pictures At An Exhibition (The 5 Minute Tour)\n <\/h4>\n
\n Once you\u2019ve heard this piece you\u2019ll swear you\u2019ve heard the entire \u201cPictures at an Exhibition.\u201d Why the rush? Because the tunes are really wonderful and everything fit together with unexpected results.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Pat-a-Carol\"\n\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Pat-a-Carol\n <\/h4>\n
\n This makes a great overture to get holiday concerts off to a flying start. It not only combines \u201cPat-a-Pan\u201d with \u201cCarol of the Bells,\u201d but also throws in liberal doses of Smetana\u2019s \u201cThe Moldau,\u201d and sly quotes from Mendelssohn\u2019s \u201cA Midsummer Night\u2019s Dream.\u201d The overall effect is rather like \u201cDanse Macabe.\u201d And all in less than two-and-a-half minutes!\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Magic\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Magic Flute (In 5 Minutes) for Flute Choir\n <\/h4>\n
\n After writing the Flute and Piano version of this piece, it occurred to me that it would make a nice flute choir showcase. The contrapuntal nature of the original suits an ensemble very well and it\u2019s a ton of fun to play!\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Jolly\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Jolly On A House Top\n <\/h4>\n
\n Here's some fun for the heavy metal element in your flute choir. The perfect vehicle for spotlighting the low flutes while providing a little tonal variety to your holiday concerts. Two popular Christmas songs are combined in a piece that runs the gamut from quick hoedown to lyrical ballad to laid-back jazz.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"I\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n I Wonder As I Wander\n <\/h4>\n
\n The moody melody is accompanied by active, beautiful and bubbling 16th notes. A variation takes the song into a lighter mood that\u2019s Celtic and lilting.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Handels\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Handel’s Messiah (In 5 Minutes)\n <\/h4>\n
\n Highlights from Handel's beloved oratorio include: \"Glory to God in the Highest,\" \"For Unto Us a Child Is Born,\" \"Amen,\" \"He Shall Purify,\" \"He Shall Feed His Flock,\" and, of course, the rousing \"Hallelujah Chorus.\" Perfect for those who want a taste of the work without having to eat the whole meal.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Hallelujah\"\n\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Hallelujah\n <\/h4>\n
\n Although melodically and harmonically simple, this tune is compelling and lends itself to such beautiful interpretations. Perfect for church or secular use.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Fugue\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Fugue \u00e0 la Gigue\n <\/h4>\n
\n Originally composed for organ, the contrapuntal nature of Bach fugues lends itself admirably to an ensemble arrangement. This one, with its lively dance rhythms, really appealed to me. Precision is the key here and the only way to accomplish that is to tread lightly.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Four\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Four Seasons (In 5 Minutes)\n <\/h4>\n
\n Inspired by the crazy changeable weather of my native Chicago, I\u2019ve taken Vivaldi\u2019s programmatic concertos and mashed them into a climate-changing maelstrom that combines a year\u2019s worth of snow, heat, storms and harvest jollity all into five minutes.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Flights\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Flights Of Passage\n <\/h4>\n
\n There are certain \u201crites of passage\u201d that we all have to go through to reach maturity. Four of them are represented by movements of this work: 1) First, Birth, 2) First Steps, 3) First Love, and 4) First Flight (from the Nest).\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Ding\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Ding Dong Deck\n <\/h4>\n
\n This is a great show opener or overture that combines \u201cDing Dong! Merrily on High\u201d and \u201cDeck the Halls.\u201d It makes ample use of major thirds to give the impression of a whole lot of doorbells. It\u2019s bubbly, fast, and engaging.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Christmas\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Christmas Banquet\n <\/h4>\n
\n A Renaissance mix of Yuletide music and secular dances such as \u201cGreensleeves,\u201d \u201cThe Boar\u2019s Head Carol,\u201d \u201cUne jeune fillette,\u201d \u201cPsalite\u201d and others.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Bridge\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Bridge Over Troubled Water\n <\/h4>\n
\n In my opinion, one of the best songs ever written. I\u2019ve given it a gospel feeling which adds nicely to the deep emotion of the melody.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Beethovens\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Beethovens 9th Symphony (In 5 Minutes)\n <\/h4>\n
\n This \u201c5 Minute Masterpiece\u201d condenses Beethoven\u2019s monumental 9th symphony down from 75 minutes to 5. It covers all the good parts without making the piccolo player wait around 45 minutes before playing!\n <\/div>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n \n <\/div>\n \n
\n
<\/div>
<\/div>
\n \n
\n \"The\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Nutcracker (In 5 Minutes) for Flute Choir\n <\/h4>\n
\n Using themes from the entire ballet rather than just the Suite, I was hoping to give this work a fresher sound. You know you've heard some of the tunes, but maybe you didn't realize it was from \"The Nutcracker.\"\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"White\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n White Christmas\n <\/h4>\n
\n From a stormy, chromatic beginning, this arrangement settles into a luscious legato setting of the famous chorus. Then another brief breath of storm, followed by a bouncy, jazzy section that's about as \"big band\" as a flute choir can get.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Three\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Three “Nutcracker Suite” Dances\n <\/h4>\n
\n Transcriptions of the \u201cDanse des Mirlitons,\u201d \u201cMarche\u201d and \u201cTrepak,\u201d perfect for holiday programming.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"The\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Sleigh Ride\n <\/h4>\n
\n It\u2019s a \u201cSleigh Ride\u201d but not the Leroy Anderson one. It\u2019s also by Mozart, but not by Wolfgang Amadeus. It is a charming piece by Mozart\u2019s father, Leopold, composed in 1755 as part of his Divertimento in F for orchestra.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Sacred\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Sacred Flutist\n <\/h4>\n
\n This is the companion volume to \"The Christmas Flutist,\" featuring 24 sacred pieces appropriate for the rest of the church year.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Pat-a-Carol\"\n\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Pat-a-Carol\n <\/h4>\n
\n This makes a great overture to get holiday concerts off to a flying start. It not only combines \u201cPat-a-Pan\u201d with \u201cCarol of the Bells,\u201d but also throws in liberal doses of Smetana\u2019s \u201cThe Moldau,\u201d and sly quotes from Mendelssohn\u2019s \u201cA Midsummer Night\u2019s Dream.\u201d The overall effect is rather like \u201cDanse Macabe.\u201d And all in less than two-and-a-half minutes!\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Nutcracker\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Nutcracker (In 5 Minutes) for Flute and Piano\n <\/h4>\n
\n Using themes from the entire ballet rather than just the Suite, I was hoping to give this work a fresher sound. You know you\u2019ve heard some of the tunes, but maybe you didn\u2019t realize it was from \u201cThe Nutcracker.\u201d\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Jolly\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Jolly On A House Top\n <\/h4>\n
\n Here's some fun for the heavy metal element in your flute choir. The perfect vehicle for spotlighting the low flutes while providing a little tonal variety to your holiday concerts. Two popular Christmas songs are combined in a piece that runs the gamut from quick hoedown to lyrical ballad to laid-back jazz.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"I\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n I Wonder As I Wander\n <\/h4>\n
\n The moody melody is accompanied by active, beautiful and bubbling 16th notes. A variation takes the song into a lighter mood that\u2019s Celtic and lilting.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Handels\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Handel’s Messiah (In 5 Minutes)\n <\/h4>\n
\n Highlights from Handel's beloved oratorio include: \"Glory to God in the Highest,\" \"For Unto Us a Child Is Born,\" \"Amen,\" \"He Shall Purify,\" \"He Shall Feed His Flock,\" and, of course, the rousing \"Hallelujah Chorus.\" Perfect for those who want a taste of the work without having to eat the whole meal.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Gloria\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Gloria Fantasie\n <\/h4>\n
\n A freely adapted rendition of \u201cAngels We Have Heard on High.\u201d Appropriate for high school level players and up.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Ding\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Ding Dong Deck\n <\/h4>\n
\n This is a great show opener or overture that combines \u201cDing Dong! Merrily on High\u201d and \u201cDeck the Halls.\u201d It makes ample use of major thirds to give the impression of a whole lot of doorbells. It\u2019s bubbly, fast, and engaging.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Christmas\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Christmas Night (and Day)\n <\/h4>\n
\n The \u201cNight\u201d and \u201cDay\u201d come from the combination of \u201cO Holy Night\u201d and \u201cI Heard the Bells on Christmas Day.\u201d It\u2019s heartfelt where it should be and downright jolly in the middle.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Christmas\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Christmas Jubilation\n <\/h4>\n
\n My first book for flute and piano contains arrangements that are fun, joyous, jubilant, and yes, sparkling. Something different for your holiday concerts!\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Christmas\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Christmas Joy\n <\/h4>\n
\n This collection of 20 duets for 2 C Flutes will come in handy during the holiday season. Perfect for church services, school concerts, or just for students and teachers to play at lessons. Each flute shares the melody.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Christmas\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Christmas Flutist\n <\/h4>\n
\n Have you ever been asked to play your flute at a Christmas party but couldn't because your accompanist wasn't invited? Then this collection of 20 solos for flute alone was written just for you! Also appropriate for use at church services, of course, or for student lessons in December to get into the holiday mood.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Christmas\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Christmas Banquet\n <\/h4>\n
\n A Renaissance mix of Yuletide music and secular dances such as \u201cGreensleeves,\u201d \u201cThe Boar\u2019s Head Carol,\u201d \u201cUne jeune fillette,\u201d \u201cPsalite\u201d and others.\n <\/div>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n \n <\/div>\n \n
\n
<\/div>
<\/div>
\n \n
\n \"Sacred\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Sacred Flutist\n <\/h4>\n
\n This is the companion volume to \"The Christmas Flutist,\" featuring 24 sacred pieces appropriate for the rest of the church year.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Nutcracker\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Nutcracker (In 5 Minutes) for Flute and Piano\n <\/h4>\n
\n Using themes from the entire ballet rather than just the Suite, I was hoping to give this work a fresher sound. You know you\u2019ve heard some of the tunes, but maybe you didn\u2019t realize it was from \u201cThe Nutcracker.\u201d\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Minute\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Minute Waltz (In 5 Minutes)\n <\/h4>\n
\n A waltz medley based on Chopin\u2019s \u201cMinute Waltz\u201d is chock full of familiar Strauss, Tchaikovsky, and even Scott Joplin tunes, plus sneaky references that will make knowing audiences smile with recognition.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Magic\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Magic Flute (In 5 Minutes) for Flute and Piano\n <\/h4>\n
\n Written for my own concert use long ago, I didn't want this to be just a medley of hit tunes, but stand on its own as an organic whole. The concept has proven to be quite popular and has started the long-running \"5-Minute\" series.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Lyrical\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Lyrical Flutist\n <\/h4>\n
\n Short solos arranged for flute alone based on melodies drawn from many different genres: opera, folk music, piano pieces, and much more. Whenever you need a nice tune for any occasion, this is the book for you!\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"In\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n In My Life\n <\/h4>\n
\n This lovely Beatles ballad, arranged for flute and piano, is appropriate for memorial services, concerts, or even weddings. \n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Christmas\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n Christmas Jubilation\n <\/h4>\n
\n My first book for flute and piano contains arrangements that are fun, joyous, jubilant, and yes, sparkling. Something different for your holiday concerts!\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"Christmas\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n The Christmas Flutist\n <\/h4>\n
\n Have you ever been asked to play your flute at a Christmas party but couldn't because your accompanist wasn't invited? Then this collection of 20 solos for flute alone was written just for you! Also appropriate for use at church services, of course, or for student lessons in December to get into the holiday mood.\n <\/div>\n <\/div>\n <\/a>\n <\/div>
\n \n
\n \"21st\n <\/span>\n <\/span>\n \n
\n \n <\/div>\n \n \n \n <\/div>\n <\/a>\n <\/div>\n \n \n \n <\/span>\n <\/div>\n \n \n
\n \n

\n 21st Century Masterworks\n <\/h4>\n
\n I wrote a solo especially for this collection of original pieces by women composers. It's called \"Mood Swings\" and is in fine company: Jennifer Higdon, Sarah Bassingthwaighte and Gay Kahkonen to name a few.\n <\/div>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n \n\t\t\t\t<\/div>\n\t\t\t<\/div>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"dipi_cpt_category":[],"class_list":["post-903","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nArrangements - Nish Music<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Arrangements - Nish Music\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dancefitwebsites.com\/nishmusic\/arrangements\/\" \/>\n<meta property=\"og:site_name\" content=\"Nish Music\" \/>\n<meta property=\"article:modified_time\" content=\"2024-10-13T15:24:57+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:description\" content=\"[dipi_filterable_gallery include_term_ids="53,52,48,50,49,51,47" filter_tab_alignment="center" grid_layout="grid" gutter="40" show_img_caption="on" show_img_title="on" use_media_link="on" use_overlay="on" filter_bar_margin="0px|0px|20px|0px|false|false" filter_bar_padding="|0px|0px|0px|false|false" filter_bar_background_color="RGBA(255,255,255,0)" filter_bar_item_background_color="#72858c" filter_bar_item_background_color_active="#28303c" grid_padding="0px|0px|0px|0px|false|false" grid_item_background_color="#FFFFFF" grid_item_title_padding="10px|0px|10px|0px|false|true" grid_item_caption_padding="10px|10px|10px|10px|true|true" filter_bar_layout_tablet="column" filter_bar_layout_phone="column" filter_bar_layout_last_edited="on|phone" filter_tab_alignment_tablet="center" filter_tab_alignment_phone="center" filter_tab_alignment_last_edited="on|desktop" columns_tablet="2" columns_phone="1" columns_last_edited="on|phone" sticky_filter_bar_phone="off" sticky_filter_bar_last_edited="off|desktop" space_tabs_tablet="" space_tabs_phone="10px" space_tabs_last_edited="on|phone" filter_bar_margin_tablet="0px|0px|20px|0px|false|false" filter_bar_margin_phone="0px|0px|10px|0px|false|false" filter_bar_margin_last_edited="on|phone" _builder_version="4.27.0" _module_preset="default" filter_bar_normal_text_color="#FFFFFF" filter_bar_normal_line_height="2em" grid_item_title_font="||||||||" grid_item_title_text_align="center" grid_item_caption_font="|300|||||||" grid_item_caption_text_align="center" hover_enabled="0" border_radii_filter_bar_item="on|18px|18px|18px|18px" border_color_all_filter_bar_item="#e0e0e0" border_radii_grid_item="on|20px|20px|20px|20px" border_width_all_grid_item="10px" border_color_all_grid_item="#FFFFFF" box_shadow_style_filter_bar_item="preset3" box_shadow_style_images="preset3" global_colors_info="{}" border_width_all_filter_bar_item__hover_enabled="on|desktop" border_width_all_filter_bar_item__hover="1px" sticky_enabled="0"][\/dipi_filterable_gallery]\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dancefitwebsites.com\/nishmusic\/arrangements\/\",\"url\":\"https:\/\/dancefitwebsites.com\/nishmusic\/arrangements\/\",\"name\":\"Arrangements - 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