Using themes from the entire ballet rather than just the Suite, I was hoping to give this work a fresher sound. You know you've heard some of the tunes, but maybe you didn't realize it was from "The Nutcracker."

From a stormy, chromatic beginning, this arrangement settles into a luscious legato setting of the famous chorus. Then another brief breath of storm, followed by a bouncy, jazzy section that's about as "big band" as a flute choir can get.

Transcriptions of the “Danse des Mirlitons,” “Marche” and “Trepak,” perfect for holiday programming.

It’s a “Sleigh Ride” but not the Leroy Anderson one. It’s also by Mozart, but not by Wolfgang Amadeus. It is a charming piece by Mozart’s father, Leopold, composed in 1755 as part of his Divertimento in F for orchestra.

This is the companion volume to "The Christmas Flutist," featuring 24 sacred pieces appropriate for the rest of the church year.

This makes a great overture to get holiday concerts off to a flying start. It not only combines “Pat-a-Pan” with “Carol of the Bells,” but also throws in liberal doses of Smetana’s “The Moldau,” and sly quotes from Mendelssohn’s “A Midsummer Night’s Dream.” The overall effect is rather like “Danse Macabe.” And all in less than two-and-a-half minutes!

Using themes from the entire ballet rather than just the Suite, I was hoping to give this work a fresher sound. You know you’ve heard some of the tunes, but maybe you didn’t realize it was from “The Nutcracker.”

Here's some fun for the heavy metal element in your flute choir. The perfect vehicle for spotlighting the low flutes while providing a little tonal variety to your holiday concerts. Two popular Christmas songs are combined in a piece that runs the gamut from quick hoedown to lyrical ballad to laid-back jazz.

The moody melody is accompanied by active, beautiful and bubbling 16th notes. A variation takes the song into a lighter mood that’s Celtic and lilting.

Highlights from Handel's beloved oratorio include: "Glory to God in the Highest," "For Unto Us a Child Is Born," "Amen," "He Shall Purify," "He Shall Feed His Flock," and, of course, the rousing "Hallelujah Chorus." Perfect for those who want a taste of the work without having to eat the whole meal.

A freely adapted rendition of “Angels We Have Heard on High.” Appropriate for high school level players and up.

This is a great show opener or overture that combines “Ding Dong! Merrily on High” and “Deck the Halls.” It makes ample use of major thirds to give the impression of a whole lot of doorbells. It’s bubbly, fast, and engaging.

The “Night” and “Day” come from the combination of “O Holy Night” and “I Heard the Bells on Christmas Day.” It’s heartfelt where it should be and downright jolly in the middle.

My first book for flute and piano contains arrangements that are fun, joyous, jubilant, and yes, sparkling. Something different for your holiday concerts!

This collection of 20 duets for 2 C Flutes will come in handy during the holiday season. Perfect for church services, school concerts, or just for students and teachers to play at lessons. Each flute shares the melody.

Have you ever been asked to play your flute at a Christmas party but couldn't because your accompanist wasn't invited? Then this collection of 20 solos for flute alone was written just for you! Also appropriate for use at church services, of course, or for student lessons in December to get into the holiday mood.

A Renaissance mix of Yuletide music and secular dances such as “Greensleeves,” “The Boar’s Head Carol,” “Une jeune fillette,” “Psalite” and others.