Using themes from the entire ballet rather than just the Suite, I was hoping to give this work a fresher sound. You know you've heard some of the tunes, but maybe you didn't realize it was from "The Nutcracker."

Winner of the 2015 National Flute Association Flute Choir Composition Competition, this original work features light-hearted poetry to introduce topics that flute players will recognize: from alluring embouchures to sticky pads.

Three movements from Dvorak’s popular Slavonic Dances are represented here. While it’s not exactly true that all the boring parts have been given to the piano, the keyboard does provide solid support for the flute acrobatics.

Transcriptions of the “Danse des Mirlitons,” “Marche” and “Trepak,” perfect for holiday programming.

A jaunt through the classic piano repertoire, with many familiar tunes such as “Rondo Alla Turca,” “Claire de Lune,” and even “Chopsticks”! Meant to evoke that long-ago nervous thrill of playing a piano recital in a roomful of strangers, this is sure to bring back some memories.

This is the companion volume to "The Christmas Flutist," featuring 24 sacred pieces appropriate for the rest of the church year.

The best themes from your classical Russian favorites, all together in one piece! It ends with a whirlwind “Flight of the Bumblebee” combined with “Night on Bald Mountain.” A real crowd pleaser and very demanding for all performers.

An arrangement of the sprightly hymn tune “When the Roll Is Called Up Yonder.” Appropriate for church or general use and features a variety of variations, including a jig and some blues, with some of Handel’s “Messiah” mixed in.

This collection of intermediate quartets is perfect for students or busy pros who want something nice to perform but don’t have a lot of time to practice.

Once you’ve heard this piece you’ll swear you’ve heard the entire “Pictures at an Exhibition.” Why the rush? Because the tunes are really wonderful and everything fit together with unexpected results.

This makes a great overture to get holiday concerts off to a flying start. It not only combines “Pat-a-Pan” with “Carol of the Bells,” but also throws in liberal doses of Smetana’s “The Moldau,” and sly quotes from Mendelssohn’s “A Midsummer Night’s Dream.” The overall effect is rather like “Danse Macabe.” And all in less than two-and-a-half minutes!

After writing the Flute and Piano version of this piece, it occurred to me that it would make a nice flute choir showcase. The contrapuntal nature of the original suits an ensemble very well and it’s a ton of fun to play!

Although melodically and harmonically simple, this tune is compelling and lends itself to such beautiful interpretations. Perfect for church or secular use.

There are certain “rites of passage” that we all have to go through to reach maturity. Four of them are represented by movements of this work: 1) First, Birth, 2) First Steps, 3) First Love, and 4) First Flight (from the Nest).

This original work for 3 C Flutes has a twirly Waltz, a humble Rumba, a stately but cool Minuet and a snappy Tap Dance. Great for students of for flutists who want something new and fun to play.

The “Night” and “Day” come from the combination of “O Holy Night” and “I Heard the Bells on Christmas Day.” It’s heartfelt where it should be and downright jolly in the middle.

My first book for flute and piano contains arrangements that are fun, joyous, jubilant, and yes, sparkling. Something different for your holiday concerts!

This collection of 20 duets for 2 C Flutes will come in handy during the holiday season. Perfect for church services, school concerts, or just for students and teachers to play at lessons. Each flute shares the melody.

Have you ever been asked to play your flute at a Christmas party but couldn't because your accompanist wasn't invited? Then this collection of 20 solos for flute alone was written just for you! Also appropriate for use at church services, of course, or for student lessons in December to get into the holiday mood.

In my opinion, one of the best songs ever written. I’ve given it a gospel feeling which adds nicely to the deep emotion of the melody.

This is the Sinfonia from Act III of “Solomon” and a great concert opener!